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Composition of Outdoor Painting, by Edgar Payne
Download Composition of Outdoor Painting, by Edgar Payne
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- Sales Rank: #82496 in Books
- Published on: 2005
- Binding: Hardcover
- 169 pages
- illustrations
Most helpful customer reviews
30 of 31 people found the following review helpful.
Not what I had expected
By PAA
I had high hopes for this book, but it did not live up to my expectations. First, the positives... The breakdown on types of composition, along with thumbnail sketches, are VERY valuable. I also really liked Payne's suggestion that artist's study the compositions of others, as well as his own examples (i.e his thumbnails of other artists' work). If I remember correctly, Payne recommended that one should make thumbnails of others' work, which would certainly be very useful for most of us looking to improve our compositions. I don't think that Payne had listed every type of composition possible in landscape, though he listed most and he acknowledged he was not the final word on art. I would buy this book again, but just for the "meat" of the book. There was a lot of fluff to pad the book out, which is extremely unfortunate, because an artist of Payne's caliber certainly had more to offer us.
As for the negatives. I felt Payne merely touched on subjects that he could have written on in greater depth, like color, repetition, rhythm, and value. It was a slow read for me, mostly because Payne was extremely redundant. This was especially true in the first chapter and much of the third chapter, where Payne did not so much address composition as the necessity of learning the principles of art, while fostering artistic originality, although he repeated it in about a hundred different ways! Also, the book contains MANY typos; I thought editing was part of the publishing process, but I guess not. The addendum, by Payne's daughter, is oddly disjointed. I didn't feel it was in keeping with Payne's writing on the subject of composition. She brought up her mother, Elsie Palmer Payne (an artist) quite a bit, which is understandable, but nevertheless, seemed out of place. It is, after all, Edgar Payne's book on composition. Also, as other reviewers have commented, the plates (the illustrations and prints continually referred to) are unpredictably peppered throughout the text. Needless to say, this ill-conceived layout is EXTREMELY disruptive.
So, not a perfect book, but enough valuable, practical information to make it a worthwhile buy.
50 of 50 people found the following review helpful.
Must Read for the serious Outdoor Painter
By Aaron
Edgar Payne was one of the great american landscape painters, as well as a great teacher, and an accomplished writer.
I found his style of English to be a little more difficult to read, but after the first chapter or two I got used to it, and it was well worth the effort.
I highly recommend reading and referring to the chapter on compositional forms. He lists a dozen of the most commonly used outdoor compositions, and gives easy examples for understanding them.
Lots and lots of valuable information!
note- poorly edited, lots of typos.
0 of 0 people found the following review helpful.
not like most artists books that contain pictures from the artist
By RC
This book is not as represented. It appears large in the picture, but don't be deceived; it is a very small book probably about 5X7, not like most artists books that contain pictures from the artist. I bought this for my husband who is an artist and whose library consists of books such as this that are all at least 10X12 and easy to read and look through.
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