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The Sound of One Hand Clapping, by Richard Flanagan
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It was 1954, in a construction camp for a hydroelectric dam in the remote Tasmanian highlands, where Bojan Buloh had brought his family to start a new life away from Slovenia, the privations of war, and refugee settlements. One night, Bojan's wife walked off into a blizzard, never to return―leaving Bojan to drink too much to quiet his ghosts, and to care for his three-year-old daughter Sonja alone. Thirty-five years later, Sonja returns to Tasmania and a father haunted by memories of the European war and other, more recent horrors. As the shadows of the past begin to intrude ever more forcefully into the present, Sonja's empty life and her father's living death are to change forever. The Sound of One Hand Clapping is about the barbarism of an old world left behind, about the harshness of a new country, and the destiny of those in a land beyond hope who seek to redeem themselves through love.
- Sales Rank: #6804949 in Books
- Published on: 2015-12-29
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 11 Hours
- Binding: MP3 CD
From Publishers Weekly
Tasmania--vast, mysterious, like "the unknown country of the heart"--is the setting for this powerful tale of a father and daughter who struggle to rise above the forces of history and personal tragedy. Sonja Buloh barely remembers the night 35 years ago when her mother, Maria, walked out the door of their crude hut in the dismal construction camp at remote Butlers Gorge, never to return. The mystery and heartache surrounding that event echo through Sonja's young life all the way to 1989-90, when the pregnant Sonja returns from mainland Australia, longing to see Tasmania and her estranged father. Bojan Buloh was just another "reffo" from a Slovenia ravaged by WWII, recruited "to do the wog work of dam-building," when he found himself the lone parent of three-year-old Sonja. Bojan's poverty and his memories of his wife and of wartime atrocities made Sonja's childhood difficult; his brief hopes for another marriage were dashed, and Bojan fell into drinking and beating his daughter. Sonja's painful memories mix with those of her sober artie's (the affectionate Slovenian word for father) tenderness and his inspired woodworking ("his hands knew a restraint which lent him grace"). Though her father cannot articulate his suffering (one of the themes here is the inadequacy of words to express the totality of existence), she remains bound to him in deep understanding of his despair. Only after confrontations, revelations and Bojan's symbolic and apocalyptic rebirth is the past redeemed and the pair reconciled. Australian writer Flanagan (Death of a River Guide) brilliantly illuminates the lives of those who are "forgotten by history, irrelevant to history, yet shaped entirely by it." His characters here transform tragedy as they discover their individual worth. (Mar.) FYI: Flanagan won the Australian Booksellers Book of the Year Award for The Sound of One Hand Clapping. He directed a film, released in Australia and Germany, based on the novel.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Winner of the Australian Booksellers Book of the Year in 1997, this, Flanagan's second book, relates the story of Slovenian immigrant Bojan Buloh and his daughter, Sonja. Buloh, scarred by the World War II horrors he has witnessed, emigrates with his wife, Maria, to labor on Tasmania's hydro dams. When Sonja is three, Maria walks out into a blizzard and is never seen again. Written in poetic prose, sometimes verging on purple, the book's 86 short chapters veer wildly back and forth, often with no apparent purpose, from 1954 to the 1960s and on to 1990. There are some stunning set pieces--a tiny abandoned girl methodically breaking her tea set--but the story is largely one of repetitive brutality and alienation. The inarticulate and alcoholic Buloh, longing for the absent Maria and haunted by visions of evil, beats the teenage Sonja until she freezes all feeling. Collections of immigrant fiction will want this; for others, it is optional.
---Judith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, NY
Copyright 2000 Reed Business Information, Inc.
From Kirkus Reviews
Winner of the Australian Booksellers Book of the Year Award, a passionate working-class tale (and first US publication) from a Tasmanian author. In 1989, an unhappy woman, Sonja Buloh, returns to remotest Tasmania to revisit scenes of her tortured childhood and to have a baby. Much of Flanagans story, though, is in flashback, being comprised of the tale, set in 1954, of Sonjas father, Bojan, and his wife, Maria. Bojan and Maria are Slovenians who immigrated to Australia so that Maria could work on backcountry hydroelectric projects, then touted as the great precursor to prosperity much as such projects were in the American West. Maria, however, is bored and unsatisfied with her life and wanders off to her death in a blizzard, leaving Bojan to raise Sonja alone. Hes a sentimental man who loves to work with wood, but hes also afflicted by his memories of war and by his eternal grieving for Maria. Depressed, he takes to drink, and when hes drunk he beats his young daughter. Sober again, he has no memory of what hes done, though Sonja is profoundly traumatized. Even as an adult in faraway Sydney, she finds herself unable to trust any man enough to fall in loveindeed, her out-of-wedlock baby seems almost immaculately conceived. Upon her return, nevertheless, daughter and father become reconciled; it is almost as if Sonja is the reappeared Maria, and her baby Sonjas own infant self. Everyone is given another chance. Even the land reverts to its primitive state, the dam breaking at last in concert with these revitalized lives, as if its violation of nature had caused human woes, too. In his soap-opera plotting and authentic feel for working people, Flanagan owes much to Colleen McCullough. But theres no denying the power in his own wild flights of prose. (First printing of 30,000) -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
30 of 30 people found the following review helpful.
Heartbreaking story beautifully written.
By cindyramone
The story begins with Maria, who is leaving her daughter, Sonja, and husband, Bojan. Forever. The images and sounds of the snow falling as she leaves her daughter are absolutely one of the finest passages I have read in a long time. I went back to it after I finished the book and it meant so much more. I could feel the snow and the despair of this family acutely the second time. Richard Flanagan takes us through present and past to tell this story, using prose that speaks like poetry. There were sentences I just read repeatedly because they were written so well. It is a sad book, beyond heartbreaking at times when we see how much hurt each member of this family has borne. There were times when I hated Bojan as much as his daughter did, but when his full story is revealed, he must be understood and forgiven.
The book ends with hope and redemption, and it is believeable and welcome. This book, its characters, images, and symbolism in the writing, are unforgettable.
This is another example of a superior novel that begs to be read by a larger audience.
33 of 34 people found the following review helpful.
gorgeous story that comes full circle
By sallyann
Absolutely beautiful story of people who lose each other and the heartbreaking, vulnerable steps taken to find each other again.
I found that real emotion pored out of this book of real people, people with flaws, people who can't say the words that they know others need to hear. So much of the style reminded me of Alice Hoffman's books. An absolute beautiful story that I won't tire of reading.
14 of 14 people found the following review helpful.
Deserves more than one handed applause
By Roger J. Carter
This is an impressive novel. The story of a post-war Slovenian immigrant family whose lives gradually fall apart. The journey of the main character (Sonja) and her father (Bojan) towards some kind of redemption, and a regaining of some meaning in their lives. (See other reviews for fuller plot descriptions). The quality of the writing occasionally reaches a quality I can only call stunning. Having said this, Flanagan's literary aspirations almost fail to come off in some passages as he seeks to wring every nuance of emotion out of a scene. This is far outweighed by the positives however, and I would rate one chapter in particular (I won't tell you which!) as one of the finest pieces of prose I have read anywhere!. As another reviewer has noted, this is a 'literary' read and not for the faint hearted. Those of us who actually live where the novel is set have the added bonus imagining the action in the precise geographical context that Flanagan himself had in mind. An appreciation of the harsh contradictions in Tasmanian history, climate and geography goes a long way to enhancing the appreciation of this fine novel. Regardless of this Tasmanian setting (which is extremely important in all Flanagan's work) any serious reader will be well rewarded by a careful reading of his fine literary craftsmanship.
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