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Keep It Real: Everything You Need to Know About Researching and Writing Creative NonfictionFrom Gutkind, Lee (EDT)/ Fletcher, Hattie (ED
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The one guide every creative nonfiction writer needs to turn to when being "creative."
Writers of memoir and narrative nonfiction are experiencing difficult days with the discovery that some well-known works in the genre contain exaggerations--or are partially fabricated. But what are the parameters of creative nonfiction? Keep It Real begins by defining creative nonfiction. Then it explores the flexibility of the form--the liberties and the boundaries that allow writers to be as truthful, factual, and artful as possible. A succinct but rich compendium of ideas, terms, and techniques, Keep It Real clarifies the ins and outs of writing creative nonfiction. Starting with acknowledgment of sources, running through fact-checking, metaphor, and navel gazing, and responsibilities to their subjects, this book provides all the information you need to write with verve while remaining true to your story.- Sales Rank: #223471 in Books
- Brand: Gutkind, Lee (EDT)/ Fletcher, Hattie (EDT)
- Published on: 2009-02-16
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .60" w x 5.50" l, .30 pounds
- Binding: Paperback
- 160 pages
From Booklist
You would think a guide through the ethical thicket that awaits creative nonfiction writers would have clearer answers. But writer and editor Gutkind seems positively Swiss in his neutrality on the simmering issues that flared into open warfare during the James Frey debacle. “Listen, I can’t answer all these questions with rules and regulations,” he tells a college audience in an anecdote from the introduction. “I am not the creative nonfiction police!” Rather than indulging in what he calls “sanctimonious pronouncements about Truth in Art,” Gutkind and his essayists offer a sort of literary realpolitik, providing thoughtful but studiously noncommittal glosses on “checkbook journalism” (paying subjects for information), compression (combining multiple events and/or quotes for the sake of narrative flow), and using family members as characters (tempting but potentially fatal to household harmony). It’s fine as far as it goes, but you sympathize with the woman who stood up after Gutkind’s college declaration and said, “Someone has to be. And you are under arrest.” --Kevin Nance
About the Author
Lee Gutkind is the founder and editor of the literary journal Creative Nonfiction and a pioneer in the field of narrative nonfiction. Gutkind is also the editor of In Fact and Becoming a Doctor, the author of Almost Human, and has written books about baseball, health care, travel, and technology. A Distinguished Writer in Residence at Arizona State University, he lives in Pittsburgh, Pennsylvania, and Tempe, Arizona.
Most helpful customer reviews
22 of 22 people found the following review helpful.
Highly recommended for anyone who wants to dive into this field.
By Midwest Book Review
Who says that non-fiction has to be just the facts and nothing else? "Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction" is a guide for writers who are set to write nonfiction but want to do it with some flare, by taking the concepts of fiction - scene, dialogue, metaphor, suspense, and applies them to reality, as a way of telling the truth in the way it happened. Explaining the genre as a whole, sifting through facts to find the best story, points of view, libel fears, immersion, and so many more concepts are covered, making "Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction" highly recommended for anyone who wants to dive into this field.
20 of 21 people found the following review helpful.
Great advice for aspiring creative nonfiction writers
By Elizabeth Modarelli
I had read some articles by Gutkind in his journal Creative Nonfiction and was excited to see a book that included some of the most valuable selections from previous issues of the journal. As a writer new to this field, I found the chapters extremely helpful and have already been able to apply some of the concepts (mostly concerning research) to my own writing. I would definitely recommend this book to anyone who is just getting his or her feet wet with this genre, and I think it would also be beneficial as a refresher for those who have been working with this type of writing for some time.
10 of 10 people found the following review helpful.
Nuts & Bolts of Creative Nonfiction
By Nancy A. Jackson
This is a book I'm keeping for reference. It's definitely a must for those interested in pursuing creative nonfiction as a writing genre. You'll find interesting material on plagiarism, interviewing technique, and POV. The piece on David Sedaris and the family repercussions of his memoirist writings was fascinating -- and a good lesson for everyone who intends to venture into family-and-friends memoirs. As I said, I'll keep this as a reference, but it's also a very interesting read on its own.
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